Title | America! My Homeland |
Composer | Blaine, Richard |
Lyricist | Treleaven, Henry |
Publisher | Boosey & Co. |
Place of Publication | New York (N.Y.) |
Year of Publication | 1917 |
Date of Copyright | 1917-12-18 |
Physical Description | 1 score, men's voices ([1], 2-9, [3] p.) |
Comment | Blaine and Treleaven’s song competed directly with an identical title issued by Harry C. Eldridge. Both publications were marketed primarily to amateurs and schools; they appear to have been equally successful, especially in school ceremonies, until the 1920s, after which Blaine’s song faded from view. This arrangement by Sumner Salter, and a second arrangement for women's voices, were probably performed more often than the solo song that was originally copyrighted. |
Historical Note | - All known performances are by amateurs, but they range from Florida to Colorado. No recordings or piano rolls have been found.
- At least five songs with this title appeared between 1915 and 1920. Two can be disregarded: one, by Rosa Braun was copyrighted in manuscript only on May 10, 1916; another text by Ruth E. DeBoer was set to music and published by song-shark Leo Friedman (copyrighted June 20, 1919). Three other titles appeared in close proximity: the song by Blaine and Treleaven; a song with words and music by Harry C. Eldridge and issued by his own firm, Eldridge Entertainment House (Franklin, OH), copyrighted September 20, 1917 (copies deposited October 27); and a self-publication by Laura Walker Colgrove (Minneapolis, MN), copyrighted December 18, 1917 (copies deposited December 21). Colgrove’s song had negligible impact; Eldridge, however, promoted his title quite extensively, especially in regional music and music education journals. Boosey promoted Blaine’s more high-class song in middle-class magazines like The Musical Courier but also marketed it primarily to schools. Blaine’s and Eldridge’s pieces were performed fairly widely through the 1920s, always by amateurs and largely in schools or on civic occasions; thereafter, it seems that Eldridge’s title prevailed, being included on school concerts at least until the 1950s.
- This arrangement by Sumner Salter is the second printing of the second edition; the first printing, reproducing a manuscript, lacks a piano part. The first edition was for solo voice, and the third was for two-part women's voices.
|
Musical Note | A high-class ballad that sounds much like an anthem--too slow and dignified to be truly a march song (though this arrangement for men's voices emphasizes the latter genre) but laced with martial figures: walking bass, fanfares, and modified rat-a-tat-tats. Harmonies evidence pervasive chromaticism, with modal borrowings and modulations to the flat submediant in the first quatrain and to the dominant for the final one, at the start of which is a slightly modified quotation from “America.” The music repeats exactly for the second verse. |
Dedication | Dedication |
Subject - Topic | - Patriotic music
- Popular music
- Songs and music
- World War, 1914-1918
|
Subject - Geographic | United States |
Subject - Temporal | 1911-1920 |
Lyrics | - [verse 2] She gave to all men, you and me / What war shall not efface, / Man's brotherhood, Democracy, / To flaunt the tyrant's face. / Democracy, O blessed word! / Blazoned o'er land and sea, / Won by my country's faith and sword / For human liberty. / For her I pledge my heart, my hand, / My life if need there be, / Duty to God and my Home-Land, / My love her victory. / Carry on!
- [verse 1] She gave me all that life doth prize / Beyond the despot's sway, / She set me free beneath her skies— / My life is hers to pay. / She gave me pride of home and sod, / My name American, / A country very dear to God, / Her flag my talisman. / For her I pledge my heart, my hand, / All that my soul can give. / Duty to God and my Home-Land / That truth and right may live— / Carry on!
|
Musical Genre | High-class ballad |
Repository | Newberry Library |
Rights | NoC-US |
Rights Description | The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. |
Cover Description | List of titles: Boosey & Co’s Series. / Famous Songs / Specially Arranged For / Male Voices. |
Back Cover Description | List of titles: Boosey & Co’s Series. / Sacred Quartettes, Anthems, Etc. / for / Mixed Voices (S.A.T.B.) |
Interior Description | - Plate numbers: pp. 2-8: 2100-8
- p. [11]: List of titles: Boosey & Co’s Series. / Secular Quartettes / for / Mixed Voices (S.A.T.B.)
- p. [10]: List of titles: Boosey & Co’s Series. / Secular Quartettes / for / Mixed Voices (S.A.T.B.)
|
Performance Medium | Men's voices |
Original Location | Box 163 |
Local Identifier | nda163_048 |
Collection Title | James Francis Driscoll Collection of American Sheet Music |
Collection | World War I Sheet Music from the James Francis Driscoll Collection of American Sheet Music |