University Library, University of Illinois at Urbana-Champaign

Modern and Contemporary Art from the Jonathan Fineberg Collection

Due to access restrictions, this collection is only available to authenticated on-campus users at the University of Illinois at Urbana-Champaign.

This collection contains approximately 1,500 images of post World War Two art from the archives of Jonathan Fineberg. Fineberg amassed a large personal collection of slides, predominantly in European and American art since 1850 but also including a broad range of other interests including child art, African art, architecture and pre 1850 European art. The University Library made a small selection for ARTstor consisting of original slides taken in certain artists' studios and on several of the major temporary projects of Christo and Jeanne-Claude.

Jonathan Fineberg is Edward William and Jane Marr Gutgsell Professor of Art History Emeritus at the University of Illinois, Urbana and Trustee Emeritus at the Phillips Collection in Washington, D.C. where he was founding director of the Center for the Study of Modern Art. www.jonathanfineberg.com He received his B.A. (1967) and Ph.D. (1975) from Harvard University and an M.A. from the Courtauld Institute of Art (1969) and studied psychoanalysis at the Boston and Western New England Psychoanalytic Institutes (1970-75, 1979-81). He received the College Art Association's Award for Distinguished Teaching in the History of Art in 2001. He created the 2 hour PBS documentary Imagining America: Icons of 20th Century American Art (with John Carlin) and his major books include: Art Since 1940: Strategies of Being (Prentice-Hall 2010), The Innocent Eye: Children's Art and the Modern Artist (Princeton 1997), Christo and Jeanne-Claude: On the Way to the Gates (Yale and the Metropolitan Museum of Art, 2004), Imagining America: Icons of 20th Century American Art (with John Carlin, Yale 2005), When We Were Young: New Perspectives on the Art of the Child (University of California Press, 2006); Alice Aycock: Drawings, Some Stories Are Worth Repeating (Yale, 2013); and A TroubIesome Subject: The Art of Robert Arneson (University of California Press, 2013). Forthcoming in 2014: Disquieting Memories: The Art of Zhang Xiaogang (Phaidon) and The Language of the Enigmatic Object: Modern Art at the Border of Mind and Brain - The Nebraska Presidential Lectures (University of Nebraska Press).

Untitled 59 1/2