{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://digital.library.illinois.edu/items/476e2cb0-c0e6-0134-2373-0050569601ca-f/manifest","@type":"sc:Manifest","label":"The Alcoholic Blues","metadata":[{"label":"Title","value":"The Alcoholic Blues"},{"label":"Alternative Title","value":"Cover: The alcoholic blues (some blues)"},{"label":"Composer","value":"Von Tilzer, Albert"},{"label":"Lyricist","value":"Laska, Edward"},{"label":"Publisher","value":"Broadway Music Corporation"},{"label":"Place of Publication","value":"New York (N.Y.)"},{"label":"Year of Publication","value":"1919"},{"label":"Date of Copyright","value":"1918-12-12"},{"label":"Physical Description","value":"1 score, voice and piano ([1], 2-3, [1] p.)"},{"label":"Type","value":"Musical notation"},{"label":"Comment","value":"Marketed in a variety of formats and variants, this timely title attained considerable popularity, especially after July 1919, when the prohibition amendment took effect. It was taken up by diverse performers, with lyrics freely adapted to suit the occasion. After 1920 the song moved into the country-western repertory, where it remained a popular novelty for many years."},{"label":"Historical Note","value":["This is the third of four printings that are distinguished by back covers; the third printing was issued after March 18, 1919.  The first copyright was for the manuscript; a second copyright was issued for the published copy on the very day (January 16, 1919) that Prohibition (the Eighteenth Amendment) became law. The first two printings were relatively small, and early promotion relied on recordings and piano rolls, but the song was also taken up by diverse performers, with lyrics freely adapted to suit the occasion. The third and fourth printings were large; sheet music sales peaked after July 1, 1919, when the Wartime Prohibition Act took effect, and interest was sustained when prohibition began to be enforced on January 17, 1920.","At least seventeen recordings and sixteen piano rolls were issued before 1923, by nearly all the major companies."]},{"label":"Musical Note","value":"This novelty is a stylistic hybrid: the verse follows Tin Pan Alley conventions, using secondary dominants and melodic sequence in a sixteen-bar structure, but the chorus, twenty-four bars long, contains two twelve-bar blues. Syncopation hints slightly at ragtime, but the juxtaposition of duple and dotted rhythms strongly suggests swung rhythms, confirmed in some of the recordings."},{"label":"Repository","value":"Sousa Archives and Center for American Music"},{"label":"Rights","value":"No Copyright - United States"},{"label":"Rights Description","value":"This item is in the public domain."},{"label":"Back Cover Description","value":["Covers and vocal incipits for four titles:","Don’t Forget the Salvation Army (My Doughnut Girl) (© 1919 02 17)","Minnie, Shimmie for Me (© 1919 01 02)","When Ireland Comes into her Own (© 1919 01 04)","At the End of My Trail of Dreams (© 1919 03 18)"]},{"label":"Local Identifier","value":"2014_12996_017"},{"label":"Collection Title","value":"James Edward Myers World War I Sheet Music Collection"}],"thumbnail":{"@id":"https://images.digital.library.illinois.edu/iiif/2/261adb20-c559-0134-2373-0050569601ca-8/full/!256,256/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/261adb20-c559-0134-2373-0050569601ca-8","profile":"http://iiif.io/api/image/2/level2.json"}},"service":[{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/261adb20-c559-0134-2373-0050569601ca-8","profile":"http://iiif.io/api/image/2/level2.json"}],"logo":"https://digital.library.illinois.edu/assets/Illinois-Logo-Reversed-Orange-RGB-100-4dc138603db54952c91732afd189efd828ba543796a2ab0f9a81afcf2b308b27.png","related":{"@id":"https://digital.library.illinois.edu/items/476e2cb0-c0e6-0134-2373-0050569601ca-f","format":"text/html"},"seeAlso":[{"@id":"https://digital.library.illinois.edu/items/476e2cb0-c0e6-0134-2373-0050569601ca-f.json","format":"application/json"},{"@id":"https://digital.library.illinois.edu/items/476e2cb0-c0e6-0134-2373-0050569601ca-f.atom","format":"application/atom+xml"}],"viewingDirection":"left-to-right","viewingHint":"paged","navDate":"1919-01-01T06:00:00Z","license":"https://rightsstatements.org/page/NoC-US/1.0/","attribution":"This item is in the public domain.","within":{"@id":"https://digital.library.illinois.edu/collections/692ae4c0-c09b-0134-2371-0050569601ca-6/iiif","format":"application/json"},"sequences":[{"@id":"https://digital.library.illinois.edu/items/476e2cb0-c0e6-0134-2373-0050569601ca-f/sequence/page","@type":"sc:Sequence","label":"Pages","viewingHint":"paged","canvases":[{"@id":"https://digital.library.illinois.edu/items/28cab440-c559-0134-2373-0050569601ca-7/canvas/canvas1","@type":"sc:Canvas","label":"The Alcoholic Blues - 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