{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://digital.library.illinois.edu/items/55a483c0-1e5e-013a-7ba8-02d0d7bfd6e4-d/manifest","@type":"sc:Manifest","label":"Free translation of Emblematum liber by Andrea Alciati","metadata":[{"label":"Title","value":"Free translation of Emblematum liber by Andrea Alciati"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts. Not published before 1589.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254.","Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Rights","value":"No Copyright - United States"},{"label":"Rights Description","value":"This item is in the public domain."},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"description":"Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","thumbnail":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dc95330-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!256,256/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dc95330-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/level2.json"}},"service":[{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dc95330-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/level2.json"}],"logo":"https://digital.library.illinois.edu/assets/Illinois-Logo-Reversed-Orange-RGB-100-4dc138603db54952c91732afd189efd828ba543796a2ab0f9a81afcf2b308b27.png","related":{"@id":"https://digital.library.illinois.edu/items/55a483c0-1e5e-013a-7ba8-02d0d7bfd6e4-d","format":"text/html"},"seeAlso":[{"@id":"https://digital.library.illinois.edu/items/55a483c0-1e5e-013a-7ba8-02d0d7bfd6e4-d.json","format":"application/json"},{"@id":"https://digital.library.illinois.edu/items/55a483c0-1e5e-013a-7ba8-02d0d7bfd6e4-d.atom","format":"application/atom+xml"}],"viewingDirection":"left-to-right","viewingHint":"paged","navDate":"1589-01-01T05:50:36Z","license":"https://rightsstatements.org/page/NoC-US/1.0/","attribution":"This item is in the public domain.","within":{"@id":"https://digital.library.illinois.edu/collections/483ae8b0-f943-0130-dc89-0019b9e633c5-c/iiif","format":"application/json"},"sequences":[{"@id":"https://digital.library.illinois.edu/items/55a483c0-1e5e-013a-7ba8-02d0d7bfd6e4-d/sequence/page","@type":"sc:Sequence","label":"Pages","viewingHint":"paged","canvases":[{"@id":"https://digital.library.illinois.edu/items/b0d69570-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000001","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000001"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0d69570-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dc95330-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dc95330-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0d69570-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0db30a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000002","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000002"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0db30a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dccbc80-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dccbc80-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0db30a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0df8740-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000003","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000003"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0df8740-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dd08bf0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dd08bf0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0df8740-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0e30fa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000004","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000004"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0e30fa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dd33a30-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dd33a30-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0e30fa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0e65580-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000005","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000005"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0e65580-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dd5e880-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dd5e880-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0e65580-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0e95730-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000006","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000006"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0e95730-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dd8c830-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dd8c830-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0e95730-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0ece9f0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000007","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000007"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0ece9f0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ddb63d0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ddb63d0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0ece9f0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0f01650-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000008","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000008"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0f01650-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dde51f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dde51f0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0f01650-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0f32a10-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000009","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000009"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0f32a10-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3de11000-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3de11000-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0f32a10-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0f787e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000010","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000010"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0f787e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3de3ee10-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3de3ee10-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0f787e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0fbe550-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000011","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000011"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0fbe550-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3de70150-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3de70150-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0fbe550-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b0ff0210-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000012","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000012"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b0ff0210-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3de9db50-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3de9db50-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b0ff0210-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b10285d0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000013","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000013"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b10285d0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3deca320-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3deca320-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b10285d0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b10964a0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000014","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000014"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b10964a0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3def9010-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3def9010-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b10964a0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b10e77e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000015","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000015"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b10e77e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3df2b320-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3df2b320-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b10e77e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b11b6a60-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000016","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000016"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b11b6a60-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3df59e30-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3df59e30-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b11b6a60-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b12039c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000017","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000017"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b12039c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3df88b40-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3df88b40-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b12039c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1243d40-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000018","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000018"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1243d40-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dfbaa30-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dfbaa30-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1243d40-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1282b20-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000019","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000019"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1282b20-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3dfe5a20-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3dfe5a20-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1282b20-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b12c54f0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000020","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000020"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b12c54f0-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e0155f0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e0155f0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b12c54f0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b130f830-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000021","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000021"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b130f830-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e04fd70-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e04fd70-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b130f830-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1347950-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000022","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000022"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1347950-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e0854b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e0854b0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1347950-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1377450-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000023","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000023"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1377450-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e10fa50-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e10fa50-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1377450-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b13a4250-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000024","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000024"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b13a4250-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e1426d0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e1426d0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b13a4250-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b13d4ee0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000025","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000025"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b13d4ee0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e17cb60-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e17cb60-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b13d4ee0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1407840-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000026","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000026"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1407840-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e1b0300-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e1b0300-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1407840-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1434c80-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000027","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000027"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1434c80-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e1db320-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e1db320-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1434c80-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1460560-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000028","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000028"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1460560-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e208d20-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e208d20-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1460560-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b148b800-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000029","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000029"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b148b800-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e232bf0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e232bf0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b148b800-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b14b96f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000030","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000030"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b14b96f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e25ddd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e25ddd0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b14b96f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b14e5090-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000031","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000031"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b14e5090-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e28a420-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e28a420-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b14e5090-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b15193a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000032","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000032"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b15193a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e2b61e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e2b61e0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b15193a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1544860-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000033","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000033"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1544860-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e2e3cc0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e2e3cc0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1544860-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1576260-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000034","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000034"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1576260-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e3283e0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e3283e0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1576260-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b15a6220-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000035","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000035"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b15a6220-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e364a50-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e364a50-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b15a6220-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b15d4470-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000036","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000036"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b15d4470-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e39eee0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e39eee0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b15d4470-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1608960-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000037","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000037"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1608960-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e3d4ce0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e3d4ce0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1608960-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1635f60-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000038","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000038"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1635f60-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e40fdd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e40fdd0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1635f60-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1665340-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000039","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000039"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1665340-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e43cfa0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e43cfa0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1665340-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1695510-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000040","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000040"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1695510-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e46ec00-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e46ec00-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1695510-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b16c6920-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000041","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000041"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b16c6920-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e4a51f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e4a51f0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b16c6920-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b16f5370-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000042","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000042"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b16f5370-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e4e30c0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e4e30c0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b16f5370-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1723d10-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000043","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000043"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1723d10-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e53eb00-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e53eb00-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1723d10-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1752340-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000044","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000044"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1752340-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e5bb440-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e5bb440-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1752340-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b177eb20-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000045","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000045"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b177eb20-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e5f2b00-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e5f2b00-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b177eb20-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b17ac850-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000046","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000046"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b17ac850-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e63c380-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e63c380-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b17ac850-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b17d85b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000047","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000047"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b17d85b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e6763b0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e6763b0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b17d85b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1806370-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000048","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000048"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1806370-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e6a9a90-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e6a9a90-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1806370-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1832ca0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000049","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000049"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1832ca0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e6dea90-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e6dea90-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1832ca0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1861dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000050","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000050"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1861dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e716ce0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e716ce0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1861dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b188e610-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000051","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000051"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b188e610-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e752f10-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e752f10-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b188e610-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b18bb730-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000052","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000052"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b18bb730-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e77e170-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e77e170-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b18bb730-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b18e8640-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000053","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000053"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b18e8640-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e7a6eb0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e7a6eb0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b18e8640-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1917990-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000054","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000054"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1917990-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e7d3030-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e7d3030-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1917990-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1943270-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000055","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000055"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1943270-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e801190-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e801190-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1943270-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1980bd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000056","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000056"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1980bd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e830200-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e830200-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1980bd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b19acda0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000057","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000057"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b19acda0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e8609c0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e8609c0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b19acda0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b19db060-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000058","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000058"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b19db060-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e89bad0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e89bad0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b19db060-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1a08cd0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000059","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000059"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1a08cd0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e8cc0b0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e8cc0b0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1a08cd0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1a3ace0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000060","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000060"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1a3ace0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e901d20-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e901d20-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1a3ace0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1a67ee0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000061","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000061"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1a67ee0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e9305a0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e9305a0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1a67ee0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1a938e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000062","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000062"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1a938e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e96b090-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e96b090-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1a938e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1ac1ba0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000063","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000063"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1ac1ba0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e9a3f10-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e9a3f10-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1ac1ba0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1aeef20-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000064","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000064"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254.","Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012)."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1aeef20-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3e9db750-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3e9db750-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1aeef20-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1b1e290-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000065","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000065"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1b1e290-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ea0ade0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ea0ade0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1b1e290-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1b4d870-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000066","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000066"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1b4d870-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ea38420-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ea38420-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1b4d870-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1b7d5d0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000067","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000067"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1b7d5d0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ea68bd0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ea68bd0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1b7d5d0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1bac9c0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000068","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000068"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1bac9c0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ea9c2a0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ea9c2a0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1bac9c0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1bdadf0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000069","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000069"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1bdadf0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ead1620-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ead1620-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1bdadf0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1c0b840-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000070","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000070"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1c0b840-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eb01c60-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eb01c60-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1c0b840-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1c39c80-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000071","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000071"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1c39c80-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eb2a460-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eb2a460-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1c39c80-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1c67a20-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000072","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000072"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1c67a20-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eb51eb0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eb51eb0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1c67a20-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1ca2660-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000073","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000073"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1ca2660-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eb7bff0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eb7bff0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1ca2660-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1cd23d0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000074","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000074"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1cd23d0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eba43a0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eba43a0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1cd23d0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1d02540-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000075","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000075"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1d02540-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ec4fa80-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ec4fa80-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1d02540-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1d50c70-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000076","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000076"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1d50c70-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ec7b670-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ec7b670-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1d50c70-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1d97650-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000077","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000077"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1d97650-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eca8650-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eca8650-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1d97650-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1dd5f80-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000078","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000078"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1dd5f80-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ecd4f40-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ecd4f40-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1dd5f80-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1e0b6b0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000079","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000079"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1e0b6b0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ecffcc0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ecffcc0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1e0b6b0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1e3a340-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000080","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000080"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1e3a340-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ed27ef0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ed27ef0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1e3a340-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1e67110-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000081","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000081"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1e67110-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ed51850-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ed51850-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1e67110-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1e932b0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000082","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000082"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1e932b0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ed7e120-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ed7e120-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1e932b0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1ec1d00-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000083","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000083"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1ec1d00-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3edab710-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3edab710-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1ec1d00-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1ef13e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000084","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000084"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1ef13e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eddacf0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eddacf0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1ef13e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1f1d020-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000085","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000085"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1f1d020-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ee03250-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ee03250-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1f1d020-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1f69fd0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000086","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000086"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1f69fd0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ee30bc0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ee30bc0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1f69fd0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1fa6c00-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000087","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000087"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1fa6c00-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ee5e780-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ee5e780-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1fa6c00-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1fd1b20-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000088","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000088"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1fd1b20-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ee886a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ee886a0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1fd1b20-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b1ffca40-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000089","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000089"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b1ffca40-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eeb24c0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eeb24c0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b1ffca40-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b202daa0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000090","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000090"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b202daa0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3eee1850-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3eee1850-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b202daa0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2063550-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000091","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000091"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2063550-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ef0ca60-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ef0ca60-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2063550-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b20927a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000092","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000092"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b20927a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ef3abf0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ef3abf0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b20927a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b20c28c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000093","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000093"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b20c28c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ef65ca0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ef65ca0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b20c28c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b20fc4e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000094","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000094"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b20fc4e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ef8f910-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ef8f910-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b20fc4e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2138920-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000095","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000095"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2138920-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3efb8570-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3efb8570-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2138920-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2166060-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000096","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000096"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2166060-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3efe1ec0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3efe1ec0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2166060-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2191410-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000097","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000097"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2191410-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f00d260-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f00d260-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2191410-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b21bcf30-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000098","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000098"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b21bcf30-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f03b880-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f03b880-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b21bcf30-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b21ea600-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000099","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000099"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b21ea600-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f064bd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f064bd0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b21ea600-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2214aa0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000100","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000100"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2214aa0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f08dcd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f08dcd0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2214aa0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2243480-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000101","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000101"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2243480-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f0bc180-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f0bc180-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2243480-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2283410-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000102","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000102"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2283410-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f0fdc50-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f0fdc50-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2283410-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b22b1db0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000103","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000103"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b22b1db0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f12d0b0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f12d0b0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b22b1db0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b22e41c0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000104","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000104"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b22e41c0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f15b0e0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f15b0e0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b22e41c0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2375cb0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000105","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000105"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2375cb0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f188580-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f188580-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2375cb0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b23a1580-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000106","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000106"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b23a1580-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f1b3a40-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f1b3a40-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b23a1580-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b23d9950-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000107","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000107"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b23d9950-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f1e1570-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f1e1570-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b23d9950-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b241b2d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000108","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000108"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b241b2d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f20b4b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f20b4b0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b241b2d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2449170-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000109","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000109"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2449170-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f233d70-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f233d70-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2449170-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b247a970-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000110","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000110"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b247a970-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f25e5c0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f25e5c0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b247a970-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b24b0270-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000111","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000111"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b24b0270-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f287c80-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f287c80-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b24b0270-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2530920-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000112","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000112"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2530920-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f2b12a0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f2b12a0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2530920-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b255ee40-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000113","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000113"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b255ee40-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f2dcb30-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f2dcb30-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b255ee40-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b25917a0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000114","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000114"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b25917a0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f306830-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f306830-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b25917a0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b25c73d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000115","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000115"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b25c73d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f32f9d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f32f9d0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b25c73d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b25f4c10-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000116","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000116"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b25f4c10-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f357fc0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f357fc0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b25f4c10-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2626590-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000117","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000117"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2626590-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f380100-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f380100-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2626590-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2654830-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000118","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000118"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2654830-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f3a7d90-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f3a7d90-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2654830-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b26864d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000119","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000119"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b26864d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f3d1f30-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f3d1f30-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b26864d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b26b44a0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000120","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000120"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b26b44a0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f3f9cb0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f3f9cb0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b26b44a0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b26ee110-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000121","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000121"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b26ee110-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f424900-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f424900-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b26ee110-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2721cf0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000122","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000122"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2721cf0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f44c5b0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f44c5b0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2721cf0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b274f2b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000123","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000123"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b274f2b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f474120-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f474120-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b274f2b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b277cfa0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000124","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000124"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b277cfa0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f49c410-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f49c410-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b277cfa0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b27aa0a0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000125","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000125"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b27aa0a0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f4fa8d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f4fa8d0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b27aa0a0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b27d5a30-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000126","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000126"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b27d5a30-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f527040-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f527040-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b27d5a30-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2805dc0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000127","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000127"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2805dc0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f55dcc0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f55dcc0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2805dc0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2834d70-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000128","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000128"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2834d70-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f588680-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f588680-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2834d70-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2868330-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000129","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000129"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2868330-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f5ba670-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f5ba670-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2868330-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2899500-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000130","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000130"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2899500-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f5e5080-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f5e5080-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2899500-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b28c8c70-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000131","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000131"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b28c8c70-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f60e3f0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f60e3f0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b28c8c70-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b28f9330-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000132","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000132"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b28f9330-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f648cc0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f648cc0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b28f9330-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b292f4b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000133","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000133"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b292f4b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f673390-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f673390-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b292f4b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b295e900-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000134","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000134"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b295e900-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f69ae10-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f69ae10-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b295e900-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b298c620-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000135","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000135"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b298c620-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f6c39b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f6c39b0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b298c620-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b29be0c0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000136","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000136"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b29be0c0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f6ecc80-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f6ecc80-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b29be0c0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b29ecea0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000137","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000137"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b29ecea0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f715270-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f715270-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b29ecea0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2a1c480-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000138","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000138"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2a1c480-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f73d150-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f73d150-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2a1c480-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2a48f20-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000139","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000139"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2a48f20-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f76f940-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f76f940-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2a48f20-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2a7b020-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000140","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000140"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2a7b020-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f79a520-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f79a520-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2a7b020-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2aa8710-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000141","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000141"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2aa8710-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f7c37e0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f7c37e0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2aa8710-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2ad8540-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000142","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000142"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2ad8540-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f7ef3b0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f7ef3b0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2ad8540-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2b08240-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000143","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000143"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2b08240-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f81c740-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f81c740-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2b08240-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2b3a5e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000144","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000144"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2b3a5e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f84b7a0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f84b7a0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2b3a5e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2b66c60-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000145","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000145"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2b66c60-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f875f40-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f875f40-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2b66c60-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2b93e60-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000146","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000146"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2b93e60-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f8c3970-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f8c3970-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2b93e60-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2bc2640-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000147","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000147"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2bc2640-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f8ede00-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f8ede00-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2bc2640-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2bf6e90-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000148","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000148"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2bf6e90-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f917110-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f917110-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2bf6e90-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2c27e00-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000149","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000149"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2c27e00-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f949a10-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f949a10-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2c27e00-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2c55f00-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000150","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000150"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2c55f00-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f970ff0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f970ff0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2c55f00-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2c84d50-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000151","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000151"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2c84d50-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f99bbb0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f99bbb0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2c84d50-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2cb4a80-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000152","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000152"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2cb4a80-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f9c9f40-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f9c9f40-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2cb4a80-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2ce28e0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000153","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000153"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2ce28e0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3f9f53f0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3f9f53f0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2ce28e0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2d10400-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000154","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000154"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2d10400-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fa44f70-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fa44f70-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2d10400-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2d3a930-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000155","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000155"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2d3a930-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fa6e6d0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fa6e6d0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2d3a930-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2d66f30-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000156","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000156"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2d66f30-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fa974f0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fa974f0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2d66f30-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2d96cd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000157","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000157"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2d96cd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fac1100-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fac1100-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2d96cd0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2dc6cd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000158","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000158"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2dc6cd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fae91d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fae91d0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2dc6cd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2df3ac0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000159","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000159"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254.","Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012)."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2df3ac0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fb8cc30-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fb8cc30-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2df3ac0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2e26b40-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000160","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000160"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2e26b40-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fbb8f10-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fbb8f10-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2e26b40-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2e5ae80-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000161","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000161"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2e5ae80-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fbf3b70-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fbf3b70-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2e5ae80-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2e8daf0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000162","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000162"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2e8daf0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fc26ef0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fc26ef0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2e8daf0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2ebe7f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000163","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000163"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2ebe7f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fc4ed80-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fc4ed80-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2ebe7f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2eef3e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000164","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000164"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2eef3e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fc78010-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fc78010-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2eef3e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2f1f3d0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000165","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000165"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2f1f3d0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fca3e50-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fca3e50-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2f1f3d0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2f4d920-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000166","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000166"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2f4d920-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fcd55e0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fcd55e0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2f4d920-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2f78350-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000167","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000167"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2f78350-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fd011f0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fd011f0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2f78350-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2fa4570-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000168","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000168"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2fa4570-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fd2a200-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fd2a200-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2fa4570-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b2fd6ac0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000169","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000169"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b2fd6ac0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fd55f00-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fd55f00-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b2fd6ac0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3002410-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000170","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000170"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3002410-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fd836e0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fd836e0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3002410-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b302ee70-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000171","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000171"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b302ee70-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fdae9c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fdae9c0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b302ee70-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b305cfb0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000172","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000172"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b305cfb0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fde1360-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fde1360-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b305cfb0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b308d6c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000173","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000173"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b308d6c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fe10020-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fe10020-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b308d6c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b30bd300-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000174","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000174"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b30bd300-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fe3cd80-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fe3cd80-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b30bd300-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b30ea590-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000175","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000175"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b30ea590-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fe66dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fe66dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b30ea590-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3126d30-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000176","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000176"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3126d30-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fe9d1a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fe9d1a0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3126d30-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3157170-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000177","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000177"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3157170-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fecf4d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fecf4d0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3157170-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3184ef0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000178","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000178"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3184ef0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3fefc3b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3fefc3b0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3184ef0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b31b4490-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000179","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000179"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b31b4490-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ff263e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ff263e0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b31b4490-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b31e5c00-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000180","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000180"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b31e5c00-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/3ffe83a0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/3ffe83a0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b31e5c00-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3218d80-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000181","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000181"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3218d80-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/400133a0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/400133a0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3218d80-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b324c810-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000182","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000182"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b324c810-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40046650-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40046650-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b324c810-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b327e420-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000183","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000183"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b327e420-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4007bbd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4007bbd0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b327e420-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b32a94a0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000184","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000184"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b32a94a0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/400a9ae0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/400a9ae0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b32a94a0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b32d4fe0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000185","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000185"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b32d4fe0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/400d9ba0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/400d9ba0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b32d4fe0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3303d30-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000186","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000186"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3303d30-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40107d20-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40107d20-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3303d30-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3333c00-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000187","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000187"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3333c00-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40132ff0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40132ff0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3333c00-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b335fbf0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000188","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000188"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b335fbf0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4015ec60-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4015ec60-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b335fbf0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b338c6d0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000189","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000189"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Title devised by cataloger.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b338c6d0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/401884d0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/401884d0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b338c6d0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b33bbf40-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000190","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000190"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b33bbf40-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/401ba410-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/401ba410-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b33bbf40-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b33e8cb0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000191","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000191"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b33e8cb0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/401ea960-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/401ea960-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b33e8cb0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3416a20-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000192","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000192"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3416a20-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40211c00-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40211c00-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3416a20-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3447840-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000193","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000193"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3447840-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40247340-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40247340-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3447840-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3474770-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000194","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000194"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3474770-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40273570-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40273570-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3474770-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b34a05e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000195","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000195"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b34a05e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/402a4180-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/402a4180-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b34a05e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b34d22b0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000196","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000196"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b34d22b0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/402ce190-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/402ce190-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b34d22b0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3503970-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000197","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000197"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3503970-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/402f7b70-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/402f7b70-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3503970-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b352e1b0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000198","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000198"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b352e1b0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/403287d0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/403287d0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b352e1b0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b355a480-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000199","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000199"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b355a480-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40352e60-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40352e60-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b355a480-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3588060-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000200","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000200"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3588060-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4037c7b0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4037c7b0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3588060-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b35b6250-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000201","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000201"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b35b6250-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/403b0c80-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/403b0c80-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b35b6250-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b35e6c10-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000202","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000202"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b35e6c10-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/403db2f0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/403db2f0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b35e6c10-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3616b00-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000203","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000203"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3616b00-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40407b30-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40407b30-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3616b00-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3646440-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000204","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000204"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3646440-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40430200-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40430200-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3646440-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b371abf0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000205","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000205"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b371abf0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40458200-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40458200-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b371abf0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b380df50-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000206","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000206"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254.","Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012)."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b380df50-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40484ed0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40484ed0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b380df50-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3863010-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000207","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000207"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3863010-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/404af2c0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/404af2c0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3863010-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3896950-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000208","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000208"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3896950-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/404db4b0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/404db4b0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3896950-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b38e2250-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000209","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000209"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b38e2250-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40504830-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40504830-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b38e2250-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b39163c0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000210","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000210"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b39163c0-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4053ac40-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4053ac40-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b39163c0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b39475b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000211","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000211"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b39475b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/405659a0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/405659a0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b39475b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b397b780-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000212","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000212"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b397b780-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4058f460-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4058f460-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b397b780-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b39abef0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000213","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000213"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b39abef0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/405bb170-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/405bb170-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b39abef0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b39e0700-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000214","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000214"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b39e0700-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/405e6750-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/405e6750-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b39e0700-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3a1c270-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000215","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000215"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3a1c270-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40617450-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40617450-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3a1c270-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3a535d0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000216","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000216"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3a535d0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4064f100-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4064f100-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3a535d0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3a87230-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000217","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000217"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3a87230-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40688180-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40688180-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3a87230-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3ac74b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000218","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000218"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Foliation: 106, 117-120; interleaved with 109 blanks."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3ac74b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/406b80b0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/406b80b0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3ac74b0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3afc6f0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000219","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000219"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3afc6f0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/406e2e30-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/406e2e30-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3afc6f0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3b31bd0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000220","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000220"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3b31bd0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4070d550-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4070d550-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3b31bd0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3b76ab0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000221","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000221"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3b76ab0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40749820-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40749820-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3b76ab0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3bb7780-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000222","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000222"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3bb7780-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40779b10-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40779b10-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3bb7780-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3bef4d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000223","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000223"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3bef4d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/407b66a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/407b66a0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3bef4d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3c2da50-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000224","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000224"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3c2da50-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/407e2bf0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/407e2bf0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3c2da50-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3c65300-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000225","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000225"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3c65300-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40810660-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40810660-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3c65300-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3c96a90-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000226","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000226"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3c96a90-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40844c20-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40844c20-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3c96a90-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3ccc850-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000227","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000227"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3ccc850-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4086ed10-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4086ed10-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3ccc850-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3d33b70-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000228","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000228"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3d33b70-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4089a410-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4089a410-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3d33b70-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3d6e710-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000229","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000229"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3d6e710-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/408c6c00-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/408c6c00-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3d6e710-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3d9e840-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000230","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000230"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3d9e840-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/408f7800-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/408f7800-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3d9e840-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3dd4f30-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000231","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000231"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3dd4f30-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/409314d0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/409314d0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3dd4f30-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3e15a50-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000232","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000232"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3e15a50-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4097c9e0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4097c9e0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3e15a50-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3e46320-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000233","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000233"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3e46320-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/409a7960-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/409a7960-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3e46320-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3e77f70-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000234","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000234"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3e77f70-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/409d35c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/409d35c0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3e77f70-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3eaf1e0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000235","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000235"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3eaf1e0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40a05cb0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40a05cb0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3eaf1e0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3ee3fa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000236","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000236"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3ee3fa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40a39970-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40a39970-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3ee3fa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3f10c00-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000237","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000237"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3f10c00-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40a84f40-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40a84f40-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3f10c00-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3f5e320-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000238","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000238"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3f5e320-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40ab4f30-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40ab4f30-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3f5e320-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b3fc7ff0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000239","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000239"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b3fc7ff0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40af8e40-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40af8e40-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b3fc7ff0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b405c0e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000240","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000240"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b405c0e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40b81890-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40b81890-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b405c0e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b4291850-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000241","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000241"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b4291850-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40bcda90-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40bcda90-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b4291850-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b43810a0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000242","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000242"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b43810a0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40c086c0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40c086c0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b43810a0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b43dbe20-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000243","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000243"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b43dbe20-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40c3f150-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40c3f150-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b43dbe20-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b442c510-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000244","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000244"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b442c510-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40c75730-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40c75730-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b442c510-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b44649d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000245","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000245"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b44649d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40ca4b30-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40ca4b30-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b44649d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b44a3120-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000246","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000246"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b44a3120-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40ce03e0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40ce03e0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b44a3120-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b44dfc80-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000247","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000247"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b44dfc80-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40d0c380-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40d0c380-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b44dfc80-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b451a1e0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000248","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000248"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254.","Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b451a1e0-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40d37b70-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40d37b70-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b451a1e0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b45511c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000249","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000249"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b45511c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40d61dd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40d61dd0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b45511c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b45c48a0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000250","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000250"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b45c48a0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40d8c9f0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40d8c9f0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b45c48a0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b462b310-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000251","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000251"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b462b310-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40dbb590-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40dbb590-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b462b310-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b76cfd10-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000252","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000252"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b76cfd10-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40de69e0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40de69e0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b76cfd10-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7775620-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000253","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000253"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7775620-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40e139e0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40e139e0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7775620-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7811ee0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000254","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000254"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7811ee0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40e3e190-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40e3e190-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7811ee0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b78a5230-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000255","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000255"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Title devised by cataloger.","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b78a5230-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40e69b50-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40e69b50-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b78a5230-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7967d90-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000256","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000256"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7967d90-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40e94aa0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40e94aa0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7967d90-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7a487d0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000257","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000257"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7a487d0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40ec29e0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40ec29e0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7a487d0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7b01ee0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000258","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000258"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7b01ee0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40eec230-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40eec230-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7b01ee0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7b9e6b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000259","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000259"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7b9e6b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40f15610-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40f15610-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7b9e6b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7c30d40-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000260","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000260"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7c30d40-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40f3ec10-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40f3ec10-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7c30d40-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7ccd450-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000261","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000261"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Title devised by cataloger.","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7ccd450-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40fae050-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40fae050-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7ccd450-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7d69cd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000262","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000262"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7d69cd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/40fd9160-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/40fd9160-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7d69cd0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7df2290-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000263","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000263"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7df2290-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4100f1a0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4100f1a0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7df2290-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7e6e9a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000264","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000264"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7e6e9a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4103b060-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4103b060-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7e6e9a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7ec8600-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000265","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000265"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7ec8600-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41069260-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41069260-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7ec8600-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7f652e0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000266","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000266"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7f652e0-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41095bc0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41095bc0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7f652e0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b7ff8020-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000267","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000267"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b7ff8020-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/410c9310-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/410c9310-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b7ff8020-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8093af0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000268","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000268"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8093af0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/410fa3c0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/410fa3c0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8093af0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b81260c0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000269","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000269"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b81260c0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4112cba0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4112cba0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b81260c0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8172de0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000270","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000270"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8172de0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41174380-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41174380-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8172de0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b81a2e50-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000271","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000271"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b81a2e50-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4119e210-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4119e210-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b81a2e50-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b81d24a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000272","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000272"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b81d24a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/411cc920-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/411cc920-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b81d24a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8202650-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000273","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000273"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8202650-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/411f9710-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/411f9710-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8202650-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8236e50-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000274","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000274"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8236e50-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41226260-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41226260-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8236e50-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b826ecf0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000275","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000275"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b826ecf0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41250dc0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41250dc0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b826ecf0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b82a1990-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000276","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000276"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b82a1990-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4127f5c0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4127f5c0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b82a1990-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b82d0ec0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000277","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000277"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b82d0ec0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/412a9300-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/412a9300-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b82d0ec0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b82ff570-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000278","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000278"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b82ff570-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/412d2bc0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/412d2bc0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b82ff570-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b83314b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000279","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000279"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b83314b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/412fd2c0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/412fd2c0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b83314b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b83627b0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000280","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000280"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b83627b0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4132bc40-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4132bc40-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b83627b0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8392c70-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000281","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000281"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8392c70-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41358d40-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41358d40-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8392c70-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b83c5920-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000282","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000282"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b83c5920-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/413818a0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/413818a0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b83c5920-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b83f4460-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000283","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000283"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b83f4460-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/413aaa90-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/413aaa90-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b83f4460-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8426390-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000284","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000284"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8426390-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/413d7810-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/413d7810-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8426390-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8456e70-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000285","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000285"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8456e70-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/414042b0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/414042b0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8456e70-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b84a6f00-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000286","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000286"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b84a6f00-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41431e80-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41431e80-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b84a6f00-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b84d6930-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000287","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000287"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b84d6930-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41469680-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41469680-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b84d6930-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8505950-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000288","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000288"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8505950-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4149ad70-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4149ad70-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8505950-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8539770-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000289","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000289"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8539770-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/414c9660-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/414c9660-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8539770-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8568b40-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000290","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000290"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8568b40-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/414fad00-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/414fad00-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8568b40-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8595e90-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000291","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000291"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8595e90-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41528740-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41528740-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8595e90-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b85ca5a0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000292","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000292"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254.","Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012)."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b85ca5a0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4154fc60-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4154fc60-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b85ca5a0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b860f0b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000293","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000293"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b860f0b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41576e70-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41576e70-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b860f0b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b864b1f0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000294","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000294"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b864b1f0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4159c900-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4159c900-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b864b1f0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b870fc00-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000295","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000295"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b870fc00-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/415c75f0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/415c75f0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b870fc00-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b87989a0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000296","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000296"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b87989a0-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/415eef30-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/415eef30-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b87989a0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b88213f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000297","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000297"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b88213f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41619a50-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41619a50-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b88213f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b88a9ef0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000298","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000298"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b88a9ef0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/416401f0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/416401f0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b88a9ef0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b892a700-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000299","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000299"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b892a700-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/416685a0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/416685a0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b892a700-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b89bb5f0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000300","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000300"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b89bb5f0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4168fea0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4168fea0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b89bb5f0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8a304f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000301","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000301"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8a304f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/416b9220-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/416b9220-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8a304f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8ac3410-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000302","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000302"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8ac3410-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/416e1db0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/416e1db0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8ac3410-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8b72e10-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000303","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000303"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8b72e10-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4172dd10-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4172dd10-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8b72e10-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8c0f210-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000304","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000304"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8c0f210-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4175c960-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4175c960-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8c0f210-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8ca1950-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000305","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000305"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8ca1950-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41784fe0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41784fe0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8ca1950-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8d34260-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000306","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000306"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8d34260-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/417adaa0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/417adaa0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8d34260-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8dc23d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000307","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000307"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8dc23d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/417d7ec0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/417d7ec0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8dc23d0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8e591f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000308","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000308"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8e591f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/417ff700-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/417ff700-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8e591f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8ee1e70-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000309","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000309"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8ee1e70-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41828220-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41828220-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8ee1e70-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8f74880-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000310","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000310"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8f74880-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4184f620-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4184f620-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8f74880-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b8ff3210-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000311","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000311"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b8ff3210-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/418780a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/418780a0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b8ff3210-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b907bc80-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000312","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000312"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b907bc80-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4189f1b0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4189f1b0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b907bc80-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9104a70-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000313","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000313"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9104a70-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/418c4840-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/418c4840-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9104a70-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9196cb0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000314","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000314"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9196cb0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/418ebe90-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/418ebe90-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9196cb0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9233710-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000315","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000315"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9233710-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41913820-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41913820-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9233710-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b92cf9d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000316","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000316"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b92cf9d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4193cac0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4193cac0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b92cf9d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b934ef50-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000317","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000317"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b934ef50-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4196a1a0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4196a1a0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b934ef50-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b93f4b10-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000318","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000318"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b93f4b10-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41995350-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41995350-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b93f4b10-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9490fb0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000319","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000319"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9490fb0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41a020f0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41a020f0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9490fb0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b952d040-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000320","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000320"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b952d040-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41a2e100-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41a2e100-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b952d040-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9585d10-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000321","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000321"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9585d10-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41a569d0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41a569d0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9585d10-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b95b7150-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000322","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000322"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b95b7150-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41a84b10-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41a84b10-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b95b7150-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b95e3e90-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000323","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000323"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b95e3e90-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41aae5b0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41aae5b0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b95e3e90-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b960ea90-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000324","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000324"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b960ea90-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41ad82b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41ad82b0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b960ea90-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9639ae0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000325","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000325"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9639ae0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41b01b90-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41b01b90-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9639ae0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9666810-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000326","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000326"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9666810-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41b2bfd0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41b2bfd0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9666810-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9697dd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000327","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000327"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9697dd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41b56b90-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41b56b90-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9697dd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b96c4930-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000328","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000328"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Title devised by cataloger.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b96c4930-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41b804e0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41b804e0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b96c4930-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b96f2ab0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000329","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000329"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b96f2ab0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41baaff0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41baaff0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b96f2ab0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9721d60-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000330","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000330"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9721d60-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41beca80-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41beca80-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9721d60-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b974ea20-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000331","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000331"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b974ea20-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41c1dc00-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41c1dc00-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b974ea20-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b977dbf0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000332","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000332"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b977dbf0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41c4d100-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41c4d100-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b977dbf0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b97acca0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000333","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000333"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b97acca0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41c763e0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41c763e0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b97acca0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b97d8040-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000334","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000334"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b97d8040-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41ca19d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41ca19d0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b97d8040-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9806790-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000335","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000335"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9806790-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41ccbfb0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41ccbfb0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9806790-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9835380-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000336","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000336"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9835380-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41cf9fe0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41cf9fe0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9835380-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9864150-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000337","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000337"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9864150-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41d21190-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41d21190-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9864150-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9892350-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000338","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000338"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9892350-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41d4fa20-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41d4fa20-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9892350-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b98bdc70-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000339","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000339"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b98bdc70-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41d787b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41d787b0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b98bdc70-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b98ec140-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000340","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000340"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b98ec140-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41da0190-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41da0190-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b98ec140-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b991a790-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000341","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000341"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b991a790-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41dc8c00-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41dc8c00-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b991a790-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9952d40-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000342","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000342"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9952d40-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41df70a0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41df70a0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9952d40-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9989f10-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000343","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000343"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9989f10-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41e1fad0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41e1fad0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9989f10-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b99c04d0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000344","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000344"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b99c04d0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41e4cef0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41e4cef0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b99c04d0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b99fe970-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000345","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000345"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b99fe970-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41e75780-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41e75780-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b99fe970-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9a31c80-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000346","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000346"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9a31c80-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41e9dad0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41e9dad0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9a31c80-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9a5d0c0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000347","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000347"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9a5d0c0-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41ec4a70-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41ec4a70-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9a5d0c0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9a877e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000348","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000348"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9a877e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41eebed0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41eebed0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9a877e0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9abc0e0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000349","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000349"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9abc0e0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41f15690-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41f15690-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9abc0e0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9ae9880-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000350","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000350"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9ae9880-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41f3e0c0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41f3e0c0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9ae9880-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9b19b60-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000351","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000351"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9b19b60-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41f66e80-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41f66e80-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9b19b60-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9b44360-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000352","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000352"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9b44360-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41f917e0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41f917e0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9b44360-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9b77690-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000353","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000353"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9b77690-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41fca670-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41fca670-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9b77690-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9ba3e80-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000354","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000354"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9ba3e80-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/41ff5dc0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/41ff5dc0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9ba3e80-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9bd4680-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000355","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000355"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9bd4680-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42020370-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42020370-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9bd4680-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9bff6a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000356","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000356"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9bff6a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42052690-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42052690-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9bff6a0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9c28c40-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000357","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000357"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9c28c40-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42093f20-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42093f20-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9c28c40-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9c55b80-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000358","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000358"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9c55b80-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/420c3260-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/420c3260-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9c55b80-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9c82900-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000359","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000359"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9c82900-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/420f11a0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/420f11a0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9c82900-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9cae8b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000360","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000360"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9cae8b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4211c510-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4211c510-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9cae8b0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9cd9d80-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000361","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000361"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9cd9d80-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42148cb0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42148cb0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9cd9d80-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9d03c30-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000362","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000362"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9d03c30-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42177350-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42177350-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9d03c30-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9d2f950-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000363","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000363"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9d2f950-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/421a5830-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/421a5830-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9d2f950-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9d5c520-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000364","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000364"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9d5c520-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/421dac70-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/421dac70-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9d5c520-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9d853a0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000365","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000365"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9d853a0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42206ea0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42206ea0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9d853a0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9dadd70-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000366","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000366"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9dadd70-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42233500-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42233500-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9dadd70-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9de2270-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000367","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000367"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9de2270-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4225d400-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4225d400-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9de2270-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9e0db80-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000368","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000368"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9e0db80-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42287270-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42287270-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9e0db80-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9e3be60-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000369","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000369"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9e3be60-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/422bbfd0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/422bbfd0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9e3be60-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9e668d0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000370","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000370"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9e668d0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/422eaf30-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/422eaf30-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9e668d0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9e901c0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000371","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000371"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9e901c0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42319480-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42319480-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9e901c0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9ebbf80-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000372","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000372"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9ebbf80-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42347260-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42347260-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9ebbf80-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9ee78b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000373","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000373"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9ee78b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42370d90-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42370d90-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9ee78b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9f1c7e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000374","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000374"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9f1c7e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4239cbb0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4239cbb0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9f1c7e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9f493e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000375","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000375"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9f493e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/423d1af0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/423d1af0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9f493e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9f73620-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000376","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000376"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9f73620-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/423fd770-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/423fd770-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9f73620-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9f9de10-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000377","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000377"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9f9de10-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42435580-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42435580-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9f9de10-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9fca2e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000378","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000378"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9fca2e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42460a50-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42460a50-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9fca2e0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/b9ffde30-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000379","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000379"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/b9ffde30-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4248b2c0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4248b2c0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/b9ffde30-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba02bc20-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000380","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000380"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba02bc20-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/424b3520-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/424b3520-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba02bc20-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba05f060-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000381","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000381"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba05f060-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/424e1030-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/424e1030-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba05f060-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba08cb20-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000382","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000382"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba08cb20-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42509c70-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42509c70-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba08cb20-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba10b580-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000383","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000383"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba10b580-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4253e450-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4253e450-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba10b580-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba13b780-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000384","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000384"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba13b780-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42567c90-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42567c90-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba13b780-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba174320-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000385","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000385"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba174320-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42598890-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42598890-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba174320-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba19f960-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000386","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000386"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba19f960-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/425c6980-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/425c6980-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba19f960-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba1ca990-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000387","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000387"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba1ca990-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42601580-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42601580-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba1ca990-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba1f9140-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000388","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000388"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba1f9140-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4262f5b0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4262f5b0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba1f9140-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba2250d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000389","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000389"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba2250d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42659130-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42659130-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba2250d0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba2516c0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000390","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000390"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba2516c0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/426834c0-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/426834c0-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba2516c0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba284b00-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000391","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000391"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba284b00-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/426ae150-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/426ae150-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba284b00-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba2b23e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000392","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000392"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba2b23e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/426dc4f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/426dc4f0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba2b23e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba2df390-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000393","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000393"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba2df390-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4270e2c0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4270e2c0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba2df390-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba30d2a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000394","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000394"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba30d2a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4273e780-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4273e780-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba30d2a0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba33b790-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000395","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000395"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba33b790-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4276cf80-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4276cf80-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba33b790-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba36f030-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000396","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000396"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba36f030-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/427e3c50-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/427e3c50-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba36f030-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba39c4a0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000397","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000397"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba39c4a0-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4280e950-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4280e950-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba39c4a0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba3c96e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000398","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000398"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba3c96e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4283a1a0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4283a1a0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba3c96e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba3f68e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000399","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000399"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba3f68e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4286a0e0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4286a0e0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba3f68e0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba4222c0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000400","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000400"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba4222c0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42893d30-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42893d30-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba4222c0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba4572b0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000401","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000401"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba4572b0-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/428be000-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/428be000-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba4572b0-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba487700-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000402","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000402"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba487700-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/428eae10-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/428eae10-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba487700-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba4b6d40-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000403","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000403"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba4b6d40-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42915140-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42915140-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba4b6d40-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba4e8670-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000404","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000404"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba4e8670-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/429400f0-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/429400f0-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba4e8670-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba5179e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000405","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000405"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba5179e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/429693d0-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/429693d0-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba5179e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba545bd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000406","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000406"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba545bd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42993ee0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42993ee0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba545bd0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba573250-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000407","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000407"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba573250-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/429c1920-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/429c1920-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba573250-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba5a03a0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000408","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000408"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba5a03a0-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42a37610-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42a37610-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba5a03a0-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba5ccb70-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000409","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000409"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba5ccb70-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42a61070-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42a61070-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba5ccb70-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba5f94d0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000410","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000410"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba5f94d0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42a8ead0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42a8ead0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba5f94d0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba6241c0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000411","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000411"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba6241c0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42ac2b30-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42ac2b30-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba6241c0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba6533d0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000412","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000412"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba6533d0-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42aee210-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42aee210-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba6533d0-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba6863f0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000413","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000413"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba6863f0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42b188f0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42b188f0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba6863f0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba6b8200-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000414","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000414"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Title devised by cataloger.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba6b8200-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42b415e0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42b415e0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba6b8200-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba6e7eb0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000415","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000415"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba6e7eb0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42b71e80-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42b71e80-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba6e7eb0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba7159b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000416","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000416"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba7159b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42b9bba0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42b9bba0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba7159b0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba7426a0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000417","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000417"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba7426a0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42bc5c10-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42bc5c10-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba7426a0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba76f060-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000418","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000418"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba76f060-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42bf0dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42bf0dd0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba76f060-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba79a570-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000419","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000419"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba79a570-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42c1ef20-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42c1ef20-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba79a570-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba7c4c90-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000420","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000420"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba7c4c90-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42c48990-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42c48990-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba7c4c90-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba7ef8f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000421","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000421"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba7ef8f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42c73190-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42c73190-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba7ef8f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba81ad40-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000422","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000422"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba81ad40-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42ca2c50-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42ca2c50-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba81ad40-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba846ba0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000423","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000423"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba846ba0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42cccb70-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42cccb70-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba846ba0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba8754c0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000424","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000424"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba8754c0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42cf87b0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42cf87b0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba8754c0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba8a3810-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000425","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000425"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba8a3810-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42d22c30-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42d22c30-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba8a3810-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba8d3330-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000426","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000426"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba8d3330-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42d4c750-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42d4c750-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba8d3330-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba9052c0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000427","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000427"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Title devised by cataloger.","Last page blank.","Date of production based on publication date of woodcuts.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba9052c0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42d74f40-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42d74f40-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba9052c0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba934860-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000428","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000428"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba934860-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42d9f970-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42d9f970-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba934860-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba965e70-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000429","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000429"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba965e70-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42dc8610-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42dc8610-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba965e70-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba994b70-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000430","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000430"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba994b70-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42df8340-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42df8340-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba994b70-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba9c0f50-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000431","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000431"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba9c0f50-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42e32bf0-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42e32bf0-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba9c0f50-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/ba9f8050-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000432","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000432"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/ba9f8050-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42e60320-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42e60320-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/ba9f8050-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baa2c880-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000433","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000433"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baa2c880-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42e89f10-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42e89f10-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baa2c880-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baa62750-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000434","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000434"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baa62750-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42eb2ba0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42eb2ba0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baa62750-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baa909e0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000435","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000435"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baa909e0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42edb2f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42edb2f0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baa909e0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baabfad0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000436","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000436"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baabfad0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42f042f0-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42f042f0-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baabfad0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baaf8d20-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000437","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000437"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baaf8d20-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42f2bd00-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42f2bd00-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baaf8d20-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bab29c80-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000438","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000438"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bab29c80-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42f55960-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42f55960-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bab29c80-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bab58270-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000439","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000439"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bab58270-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42f80900-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42f80900-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bab58270-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bab98990-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000440","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000440"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bab98990-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42fab6e0-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42fab6e0-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bab98990-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/babc9480-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000441","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000441"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/babc9480-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42fd3800-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42fd3800-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/babc9480-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/babf7580-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000442","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000442"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/babf7580-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/42ffdfd0-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/42ffdfd0-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/babf7580-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bac22ff0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000443","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000443"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bac22ff0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4302a7c0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4302a7c0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bac22ff0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bac5de20-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000444","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000444"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bac5de20-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43057b40-1ef7-013a-7ba8-02d0d7bfd6e4-7/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43057b40-1ef7-013a-7ba8-02d0d7bfd6e4-7","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bac5de20-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bac8ab50-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000445","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000445"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bac8ab50-1ef7-013a-7ba8-02d0d7bfd6e4-a/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4308b610-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4308b610-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bac8ab50-1ef7-013a-7ba8-02d0d7bfd6e4-a/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bacb8d30-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000446","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000446"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bacb8d30-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/430b4cc0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/430b4cc0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bacb8d30-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bace6180-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000447","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000447"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bace6180-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/430dd220-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/430dd220-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bace6180-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bad17380-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000448","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000448"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bad17380-1ef7-013a-7ba8-02d0d7bfd6e4-9/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43109040-1ef7-013a-7ba8-02d0d7bfd6e4-5/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43109040-1ef7-013a-7ba8-02d0d7bfd6e4-5","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bad17380-1ef7-013a-7ba8-02d0d7bfd6e4-9/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bad45d50-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000449","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000449"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bad45d50-1ef7-013a-7ba8-02d0d7bfd6e4-3/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43134f80-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43134f80-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bad45d50-1ef7-013a-7ba8-02d0d7bfd6e4-3/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bad83d10-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000450","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000450"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bad83d10-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4315e230-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4315e230-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bad83d10-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/badb6a30-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000451","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000451"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/badb6a30-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43188530-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43188530-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/badb6a30-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bade94a0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000452","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000452"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bade94a0-1ef7-013a-7ba8-02d0d7bfd6e4-8/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/431b0be0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/431b0be0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bade94a0-1ef7-013a-7ba8-02d0d7bfd6e4-8/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bae19110-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000453","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000453"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bae19110-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/431d9970-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/431d9970-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bae19110-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bae45e40-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000454","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000454"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bae45e40-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/431fff80-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/431fff80-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bae45e40-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bae71df0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000455","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000455"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bae71df0-1ef7-013a-7ba8-02d0d7bfd6e4-6/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43228230-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43228230-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bae71df0-1ef7-013a-7ba8-02d0d7bfd6e4-6/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baea1d30-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000456","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000456"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baea1d30-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43252f50-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43252f50-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baea1d30-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baed0480-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000457","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000457"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baed0480-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4327d0b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4327d0b0-1ef7-013a-7ba8-02d0d7bfd6e4-b","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baed0480-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baf144f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000458","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000458"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baf144f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/432a62c0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/432a62c0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baf144f0-1ef7-013a-7ba8-02d0d7bfd6e4-1/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baf44540-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000459","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000459"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baf44540-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/432d17f0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/432d17f0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baf44540-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/baf7d440-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000460","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000460"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/baf7d440-1ef7-013a-7ba8-02d0d7bfd6e4-7/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/432fc440-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/432fc440-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/baf7d440-1ef7-013a-7ba8-02d0d7bfd6e4-7/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bafad400-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000461","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000461"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bafad400-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/433258e0-1ef7-013a-7ba8-02d0d7bfd6e4-8/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/433258e0-1ef7-013a-7ba8-02d0d7bfd6e4-8","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bafad400-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bafde410-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000462","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000462"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bafde410-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4334d880-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4334d880-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bafde410-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb00d8f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000463","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000463"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb00d8f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43377fc0-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43377fc0-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb00d8f0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb03b2b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000464","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000464"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb03b2b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/433a1b60-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/433a1b60-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb03b2b0-1ef7-013a-7ba8-02d0d7bfd6e4-b/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb06c4e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000465","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000465"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb06c4e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/433c98c0-1ef7-013a-7ba8-02d0d7bfd6e4-1/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/433c98c0-1ef7-013a-7ba8-02d0d7bfd6e4-1","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb06c4e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb09dea0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000466","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000466"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb09dea0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/433f22e0-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/433f22e0-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb09dea0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb1174d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000467","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000467"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb1174d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4341e350-1ef7-013a-7ba8-02d0d7bfd6e4-4/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4341e350-1ef7-013a-7ba8-02d0d7bfd6e4-4","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb1174d0-1ef7-013a-7ba8-02d0d7bfd6e4-c/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb145330-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000468","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000468"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb145330-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43447910-1ef7-013a-7ba8-02d0d7bfd6e4-c/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43447910-1ef7-013a-7ba8-02d0d7bfd6e4-c","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb145330-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb1736d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000469","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000469"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb1736d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43473870-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43473870-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb1736d0-1ef7-013a-7ba8-02d0d7bfd6e4-0/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb1a13a0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000470","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000470"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb1a13a0-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/434f51f0-1ef7-013a-7ba8-02d0d7bfd6e4-a/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/434f51f0-1ef7-013a-7ba8-02d0d7bfd6e4-a","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb1a13a0-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb1df2e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000471","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000471"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb1df2e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/435207a0-1ef7-013a-7ba8-02d0d7bfd6e4-2/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/435207a0-1ef7-013a-7ba8-02d0d7bfd6e4-2","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb1df2e0-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb20ee00-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000472","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000472"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb20ee00-1ef7-013a-7ba8-02d0d7bfd6e4-e/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4354a610-1ef7-013a-7ba8-02d0d7bfd6e4-f/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4354a610-1ef7-013a-7ba8-02d0d7bfd6e4-f","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb20ee00-1ef7-013a-7ba8-02d0d7bfd6e4-e/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb23dec0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000473","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000473"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb23dec0-1ef7-013a-7ba8-02d0d7bfd6e4-d/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43573b90-1ef7-013a-7ba8-02d0d7bfd6e4-d/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43573b90-1ef7-013a-7ba8-02d0d7bfd6e4-d","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb23dec0-1ef7-013a-7ba8-02d0d7bfd6e4-d/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb282ac0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000474","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000474"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb282ac0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4359d540-1ef7-013a-7ba8-02d0d7bfd6e4-0/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4359d540-1ef7-013a-7ba8-02d0d7bfd6e4-0","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb282ac0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb2b2440-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000475","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000475"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb2b2440-1ef7-013a-7ba8-02d0d7bfd6e4-4/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/435c87c0-1ef7-013a-7ba8-02d0d7bfd6e4-3/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/435c87c0-1ef7-013a-7ba8-02d0d7bfd6e4-3","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb2b2440-1ef7-013a-7ba8-02d0d7bfd6e4-4/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb2e55b0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000476","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000476"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb2e55b0-1ef7-013a-7ba8-02d0d7bfd6e4-2/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/435f2c60-1ef7-013a-7ba8-02d0d7bfd6e4-e/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/435f2c60-1ef7-013a-7ba8-02d0d7bfd6e4-e","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb2e55b0-1ef7-013a-7ba8-02d0d7bfd6e4-2/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb36afe0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000477","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000477"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Spanish","Greek","Latin"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb36afe0-1ef7-013a-7ba8-02d0d7bfd6e4-5/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/4361bfb0-1ef7-013a-7ba8-02d0d7bfd6e4-6/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/4361bfb0-1ef7-013a-7ba8-02d0d7bfd6e4-6","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb36afe0-1ef7-013a-7ba8-02d0d7bfd6e4-5/canvas/canvas1"}]},{"@id":"https://digital.library.illinois.edu/items/bb39dde0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1","@type":"sc:Canvas","label":"99954805864805899-00000478","height":1200,"width":1200,"metadata":[{"label":"Title","value":"99954805864805899-00000478"},{"label":"Alternative Title","value":"Emblematas"},{"label":"Creator","value":"Alciati, Andrea, 1492-1550"},{"label":"Date","value":"1589"},{"label":"Call Number","value":"Pre-1650 MS 0254"},{"label":"Publication Place","value":"Spain"},{"label":"Description","value":["Anonymous free translation in Spanish of the Emblematum liber, by Andrea Alciato. The translation is unpublished and very likely exists only in this copy. Each leaf begins with a motto written at the top of the page followed by a woodcut affixed below; verses are written beneath each woodcut and are followed by a commentary section, including citations from classical literature written below a single ruled line on each page. Most leaves written on both sides, with an emblem on both recto and verso. Some (e.g. emblem 117) contain lengthier verses that continue onto the verso, or, beginning on the verso, carry over to the following recto. The manuscript contains a total of 210 emblems distributed across 110 leaves. The manuscript contains only the emblems from Alciato's work and lacks the prologue and index, which typically accompanied editions of the Emblemata. The manuscript has been augmented with an additional 126 blank sheets, 109 of which are interleaved. The blank leaves are from a different source of paper than the text leaves and are not included in the original foliation (1-110) running in the top corner recto of the completed leaves.","Binding: 18th-century half leather over light brown paper, with gilt-stamped green leather spine label reading Emblemas.","Imperfections: Missing the second woodcut of a bat (n. 62); woodcut n. 150 has been partially reconstructed in ink, with added animal decoration probably taken from the upper border of one of the woodcuts; woodcut n. 151 top portion has been reconstructed using a piece of another copy of the same woodcut (which includes some remnants of the left decorative frame. The order of the last woodcuts is somewhat shuffled, as several woodcuts do not match the corresponding captions: caption 203 reads el membrillo (quince), but the woodcut represents an ivy; caption 204 reads la yedra (ivy), but the woodcut represents a quince tree; caption 205 reads la coscoja (kermes oak), but the woodcut represents an orange tree; caption 206 reads el naranjo (orange tree), but the woodcut represents a kermes oak; caption 208 reads el almendro (almond tree), but the woodcut represents a laurel; caption 209 reads el moral (mulberry), but the woodcut represents an almond tree; caption 210 reads el alamo blanco (silver poplar), but the woodcut represents a mulberry; caption 210b reads el laurel (laurel), but the woodcut represents a silver poplar.","Foliation: 106, 117-120; interleaved with 109 blanks.","Last page blank.","Date of production based on publication date of woodcuts.","18th-century note in brown ink on leaf [2] reads: Esta traduccion castellana es diferente en su mayor parte de la traduccion de Bernardino Daza que publico Rovilio en Leon a Francia.","Bookseller shelf-mark: TM-1083 in pencil on rear paste-down.","Shelf-mark: Urbana, IL, University of Illinois Rare Book Manuscript Library, Pre-1650 MS 0254."," Provenance: Purchased from Les Enluminures, 5 October 2020; formerly owned by Karl-Ludwig Selig (1926-2012).","Illustrations: 210 woodcut emblems after designs of Geeraard Jansen van Kampen, ranging in subject matter from classical mythology to botany. They were likely excised from the 1589 edition printed by Jean Richer in Paris and affixed to the leaves of the bound volume.","Title devised by cataloger."]},{"label":"Extent","value":"1 volume (236 leaves (various foliations)) : illustrations (woodcuts)"},{"label":"Dimensions","value":"16 x 11 cm (8vo)"},{"label":"Language","value":["Greek","Latin","Spanish"]},{"label":"Topical Subject","value":"Emblems"},{"label":"Genre Subject","value":"Emblem books"},{"label":"Collection Title","value":"Digital Rare Book Collection"},{"label":"Repository","value":"Rare Book \u0026 Manuscript Library"},{"label":"Type","value":"Text"},{"label":"Bibliographic Identifier","value":"99954805864805899"}],"images":[{"@type":"oa:Annotation","@id":"https://digital.library.illinois.edu/items/bb39dde0-1ef7-013a-7ba8-02d0d7bfd6e4-f/annotation/access","motivation":"sc:painting","resource":{"@id":"https://images.digital.library.illinois.edu/iiif/2/43646300-1ef7-013a-7ba8-02d0d7bfd6e4-9/full/!1000,1000/0/default.jpg","@type":"dctypes:Image","format":"image/jp2","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://images.digital.library.illinois.edu/iiif/2/43646300-1ef7-013a-7ba8-02d0d7bfd6e4-9","profile":"http://iiif.io/api/image/2/profiles/level2.json"},"height":null,"width":null},"on":"https://digital.library.illinois.edu/items/bb39dde0-1ef7-013a-7ba8-02d0d7bfd6e4-f/canvas/canvas1"}]}]}],"structures":[]}