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When It Comes to a Lovingless Day

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https://digital.library.illinois.edu/items/f1ed0f70-c556-0134-2373-0050569601ca-9
No Copyright - United States (RightsStatements.org)

This item is in the public domain.

Supplementary Document

Title
When It Comes to a Lovingless Day - Lyrics
Composer
Frost, Jack  
Lyricist
Frost, Jack  
Publisher
Frank K. Root & Co.  
Place of Publication
Chicago (Ill.)  
Local Identifier
2014_12996_858
Collection
James Edward Myers World War I Sheet Music Collection

Descriptive Information

Title
When It Comes to a Lovingless Day
Composer
Frost, Jack  
Lyricist
Frost, Jack  
Publisher
Frank K. Root & Co.  
Place of Publication
Chicago (Ill.)  
Year of Publication
1918  
Date of Copyright
1918-01-23
Physical Description
1 score, voice and piano ([1], 2–3, [1] p.)
Type
Musical notation  
Comment
  • by September 1918 the title had largely faded from public view.
  • Eva Tanguay’s success with the song in March 1918 precipitated a surge of marketing and commentary, together with recordings and piano rolls, but this subsided fairly quickly
Historical Note
  • This, the first printing, presumably predated March 4, 1918, when Eva Tanguay introduced this song
  • her performances was ballyhooed on the second printing, which (from the back cover) must postdate April 10, 1918. At least two piano rolls were issued: Rythmodik, © 1918 03 20 (John I. Lederer, G101373)
  • and Connorized Word Roll, May 1918 (player and roll number not found). At least three recordings were issued, all released in July 1918: Columbia A-2541 (Arthur Fields, recorded 1918 04 04)
  • Emerson 7364-B (Eddie Nelson)
  • and Paramount 2057-B and Puritan 6041-B (Ada Jones, almost certainly from a single master made at N. Y. Recording Laboratories).
Musical Note
Billed as an instrumental one-step and a vocal “character song,” this comic novelty (marked “allegretto”) has some characteristics of a march song, with syncopation and chains of secondary dominants. A Billboard review on March 16, 1918 dwelt on the clever lyric, noting merely that the music “supplies a good basis for the lyric in march time.”
Repository
Sousa Archives and Center for American Music
Rights
No Copyright - United States
Rights Description
This item is in the public domain.
Back Cover Description
Advertisement for “Late Popular Successes”. Four rows of samples: Top row: samples and covers for If You’ve Never Been in Dreamland You’ve Never Been in Love (© 1917, advertised 1917 06 14) Down the Sunset Trail to Avalon (© 1917, advertised 1917 02 07) Second row: samples for The Hour of Memory (© 1916 07 12) Sweet Cookie Mine (© 1917 04 19) Paradise Blues (© 1916 10 14) Third row: samples for I Ain’t Got Nobody (© 1914 04 08) Let’s Go Back to Dreamy Lotus Land (© 1917, advertised 1917 07 20) I Love That Loveable Melody (© 1917, piano roll announced 1917 02 24) Fourth row: samples and covers for Moonlight Blues (© 1916, advertised 1916 12 08) My Fox-trot Girl (© 1917, piano roll announced 1917 04 28)
Local Identifier
2014_12996_858
Collection Title
James Edward Myers World War I Sheet Music Collection
Collection
James Edward Myers World War I Sheet Music Collection
TitleWhen It Comes to a Lovingless Day
ComposerFrost, Jack  
LyricistFrost, Jack  
PublisherFrank K. Root & Co.  
Place of PublicationChicago (Ill.)  
Year of Publication1918  
Date of Copyright1918-01-23
Physical Description1 score, voice and piano ([1], 2–3, [1] p.)
TypeMusical notation  
Comment
  • by September 1918 the title had largely faded from public view.
  • Eva Tanguay’s success with the song in March 1918 precipitated a surge of marketing and commentary, together with recordings and piano rolls, but this subsided fairly quickly
Historical Note
  • This, the first printing, presumably predated March 4, 1918, when Eva Tanguay introduced this song
  • her performances was ballyhooed on the second printing, which (from the back cover) must postdate April 10, 1918. At least two piano rolls were issued: Rythmodik, © 1918 03 20 (John I. Lederer, G101373)
  • and Connorized Word Roll, May 1918 (player and roll number not found). At least three recordings were issued, all released in July 1918: Columbia A-2541 (Arthur Fields, recorded 1918 04 04)
  • Emerson 7364-B (Eddie Nelson)
  • and Paramount 2057-B and Puritan 6041-B (Ada Jones, almost certainly from a single master made at N. Y. Recording Laboratories).
Musical NoteBilled as an instrumental one-step and a vocal “character song,” this comic novelty (marked “allegretto”) has some characteristics of a march song, with syncopation and chains of secondary dominants. A Billboard review on March 16, 1918 dwelt on the clever lyric, noting merely that the music “supplies a good basis for the lyric in march time.”
RepositorySousa Archives and Center for American Music
RightsNo Copyright - United States
Rights DescriptionThis item is in the public domain.
Back Cover DescriptionAdvertisement for “Late Popular Successes”. Four rows of samples: Top row: samples and covers for If You’ve Never Been in Dreamland You’ve Never Been in Love (© 1917, advertised 1917 06 14) Down the Sunset Trail to Avalon (© 1917, advertised 1917 02 07) Second row: samples for The Hour of Memory (© 1916 07 12) Sweet Cookie Mine (© 1917 04 19) Paradise Blues (© 1916 10 14) Third row: samples for I Ain’t Got Nobody (© 1914 04 08) Let’s Go Back to Dreamy Lotus Land (© 1917, advertised 1917 07 20) I Love That Loveable Melody (© 1917, piano roll announced 1917 02 24) Fourth row: samples and covers for Moonlight Blues (© 1916, advertised 1916 12 08) My Fox-trot Girl (© 1917, piano roll announced 1917 04 28)
Local Identifier2014_12996_858
Collection TitleJames Edward Myers World War I Sheet Music Collection
CollectionJames Edward Myers World War I Sheet Music Collection

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When It Comes to a Lovingless Day - Lyrics
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