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You’ve seen our soldiers drill on their parade grounds, you’ve watched them marching on the avenue, you know how gay the military band sounds, you thrill with love of country through and through
but now you like to know that we are neutral, you feel secure because you’re far away, but let a submarine appear, or a zeppelin near, you would realize the price we’d have to pay. Let ev’ry man know how to fight in battle, that does not mean that we will have a war, let ev’ry man know how to hold a weapon, a peace back’d by preparedness means more
we stand by what is right in ev’ry nation, we take no part in Europe’s deadly fights
we must show that we’re not scar’d of a war for we’re prepar’d to force the world to recognize our rights. Americans, you’re there when duty calls you, it is not this that causes us to fear
in case of need each man of you would answer unto your country’s call with “I am here.” What good would you be going into action, when few of you know how to hold a gun
you would take so long to train that so many would be slain, is it not a pity something can’t be done? The aeroplane and submarine and gases, have made of modern warfare one long hell, what chance would you men have against such forces, the loss of life we’d scarcely like to tell. So why not come out strong for preparation, in knowing how we have our greatest might, preparedness will show just what way to meet a foe, and perhaps keep us from getting in the fight.
Repository
University of Illinois at Urbana-Champaign. Sousa Archives and Center for American Music
Rights
No Copyright - United States
Original Location
Record Series 12/9/96
Series 2, Box 12, Folder 3
Local Identifier
2014_12996_004
Collection Title
James Edward Myers Sheet Music Collection, 1836-1986
Although the song was not published until September 1916, the manuscript was copyrighted at the start of March, when the preparedness campaign was well under way. Remick did not plug or advertise the title, and the piano roll and recording appear only later and in very scattered advertisements. It is likely that the composer and lyricist provided early support for this title and for the recording, made in June, with Remick joining the effort six months later. There is some evidence of enduring interest, though not of great popularity.
Historical Note
This was the only printing, concurrent with the Columbia recording and followed by a piano roll issued by QRS in February 1917.
There must have been early performances from manuscript, because on April 9, a New York Tribune article refers to Childs as the author of the song. It would appear that Lampe actively promoted it; possibly it was his advocacy that resulted in the recording made for Columbia by the Broadway Quartette on June 20. And almost certainly it was he who persuaded Remick to bring out the published version three months later—six months after the manuscript was copyrighted, but coinciding with the release of the Columbia recording, and while preparedness was still a topic of great interest (Wilson was then very concerned about the politics of the upcoming November election).
Ribe, Denmark, was Lampe’s birthplace; he used the corresponding pseudonym primarily for arrangements or for music written or arranged for amateur composers or lyricists, presumably for a fee (Lampe headed the arranging department for Remick throughout the 1910s). On the cover, “Herbert” is an incorrect substitution for Hebert, the lyricist’s middle name. The artist, LPN, has not yet been identified.
Musical Note
A conventional but very skilled march song, quoting Reveille (a “wake-up” call strongly associated with preparedness) in the introduction and in the closing tag.
Subject - Topic
Preparedness
Peace -- Songs and music.
Recruiting and enlistment -- Songs and music.
Patriotic music -- United States.
Popular music -- United States -- 1911-1920.
World War, 1914-1918 -- Songs and music
Lyrics
[refrain 3]
[verse 3] The aeroplane and submarine and gases, / Have made of modern warfare one long hell, / What chance would you men have against such forces, / The loss of life we'd scarcely like to tell. / So why not come out strong for Preparation / In knowing how, we have our greatest might, / Preparedness will show just what way to meet a foe, / And perhaps keep us from getting in the fight.
[refrain 2]
[verse 2] Americans, you're there when duty calls you, / It is not this that causes us to fear; / In case of need each man of you would answer / Unto your country's call with "I am here." / What good would you be going into action / When few of you know how to hold a gun; / You would take so long to train That so many would be slain. / Is it not a pity something can't be done?
[refrain 1] Let ev'ry man know how to fight in battle / That does not mean that we will have a war, / Let ev'ry man know how to hold a weapon, / A peace back'd by Preparedness means more; / We stand by what is right in ev'ry nation, / We take no part in Europe's deadly fights; / We must show that we're not scar'd of a war for we're prepar'd / to force the world to recognize our rights.
[verse 1] You've seen our soldiers drill on their parade grounds, / You've watch'd them marching on the Avenue, / You know how gay the military band sounds, / You thrill with love of country through and through; / But now you like to know that we are neutral, / You feel secure because you're far away, / But let a submarine appear, Or a Zeppelin be near, / You would realize the price we'd have to pay.
Musical Genre
March song
Repository
University of Illinois at Urbana-Champaign. Sousa Archives and Center for American Music
Rights
No Copyright - United States
Artist
LPN
Cover Description
Soldier on a beach, playing bugle; behind are tents, artillery, battleships, and an airplane; backdrop of stars and stripes, as in the US shield. Red and blue on white; monogram BR.
Although the song was not published until September 1916, the manuscript was copyrighted at the start of March, when the preparedness campaign was well under way. Remick did not plug or advertise the title, and the piano roll and recording appear only later and in very scattered advertisements. It is likely that the composer and lyricist provided early support for this title and for the recording, made in June, with Remick joining the effort six months later. There is some evidence of enduring interest, though not of great popularity.
Historical Note
This was the only printing, concurrent with the Columbia recording and followed by a piano roll issued by QRS in February 1917.
There must have been early performances from manuscript, because on April 9, a New York Tribune article refers to Childs as the author of the song. It would appear that Lampe actively promoted it; possibly it was his advocacy that resulted in the recording made for Columbia by the Broadway Quartette on June 20. And almost certainly it was he who persuaded Remick to bring out the published version three months later—six months after the manuscript was copyrighted, but coinciding with the release of the Columbia recording, and while preparedness was still a topic of great interest (Wilson was then very concerned about the politics of the upcoming November election).
Ribe, Denmark, was Lampe’s birthplace; he used the corresponding pseudonym primarily for arrangements or for music written or arranged for amateur composers or lyricists, presumably for a fee (Lampe headed the arranging department for Remick throughout the 1910s). On the cover, “Herbert” is an incorrect substitution for Hebert, the lyricist’s middle name. The artist, LPN, has not yet been identified.
Musical Note
A conventional but very skilled march song, quoting Reveille (a “wake-up” call strongly associated with preparedness) in the introduction and in the closing tag.
Subject - Topic
Preparedness
Peace -- Songs and music.
Recruiting and enlistment -- Songs and music.
Patriotic music -- United States.
Popular music -- United States -- 1911-1920.
World War, 1914-1918 -- Songs and music
Lyrics
[refrain 3]
[verse 3] The aeroplane and submarine and gases, / Have made of modern warfare one long hell, / What chance would you men have against such forces, / The loss of life we'd scarcely like to tell. / So why not come out strong for Preparation / In knowing how, we have our greatest might, / Preparedness will show just what way to meet a foe, / And perhaps keep us from getting in the fight.
[refrain 2]
[verse 2] Americans, you're there when duty calls you, / It is not this that causes us to fear; / In case of need each man of you would answer / Unto your country's call with "I am here." / What good would you be going into action / When few of you know how to hold a gun; / You would take so long to train That so many would be slain. / Is it not a pity something can't be done?
[refrain 1] Let ev'ry man know how to fight in battle / That does not mean that we will have a war, / Let ev'ry man know how to hold a weapon, / A peace back'd by Preparedness means more; / We stand by what is right in ev'ry nation, / We take no part in Europe's deadly fights; / We must show that we're not scar'd of a war for we're prepar'd / to force the world to recognize our rights.
[verse 1] You've seen our soldiers drill on their parade grounds, / You've watch'd them marching on the Avenue, / You know how gay the military band sounds, / You thrill with love of country through and through; / But now you like to know that we are neutral, / You feel secure because you're far away, / But let a submarine appear, Or a Zeppelin be near, / You would realize the price we'd have to pay.
Musical Genre
March song
Repository
University of Illinois at Urbana-Champaign. Sousa Archives and Center for American Music
Rights
No Copyright - United States
Artist
LPN
Cover Description
Soldier on a beach, playing bugle; behind are tents, artillery, battleships, and an airplane; backdrop of stars and stripes, as in the US shield. Red and blue on white; monogram BR.