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After the war is over

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https://digital.library.illinois.edu/items/f82b3840-c556-0134-2373-0050569601ca-8
No Copyright - United States (RightsStatements.org)

This item is in the public domain.

Supplementary Document

Title
After the war is over - Lyrics
Composer
Casey, James W.  
Lyricist
Casey, James W.  
Publisher
Echo Music Pub. Co. (Seattle, WA)  
Place of Publication
  • New York  
  • Seattle (Wash.)  
Year of Publication
1917  
Local Identifier
2014_12996_009
Collection
James Edward Myers World War I Sheet Music Collection

Descriptive Information

Title
After the war is over
Composer
Casey, James W.  
Lyricist
Casey, James W.  
Publisher
Seattle Echo Music Publishing Co.  
Year of Publication
1917  
Date of Copyright
1917-08-21
Physical Description
1 score, voice and piano ([1], 2-3, [1] p.)
Type
Musical notation  
Comment
Despite its reissue as part of Casey’s attempt to establish a Tin Pan Alley presence, this song does not appear to have attained much popularity in the East. However, scattered reports indicate some regional success in the West and some use in silent film accompaniments. At least six songs were issued in 1917 with similar or identical titles; Casey’s song probably suffered most by comparison with Harry Andrieu’s “After the War Is Over Will There Be Any Home Sweet Home?”, which had been issued four months earlier and was popular in the East in 1917 and nationally through most of 1918.
Historical Note
  • This is the second printing of the first edition, the two printings distinguished by back covers and small variants in the cover. A second edition, with no changes to the music, was published in New York some time after October 1, 1917, when Casey and his firm moved there.
  • No piano rolls or recordings have been found, but the song was briefly promoted. Shortly after the first printing appeared, a Seattle trade magazine reported that the song had “already become a great favorite with the soldier boys through the Northwest.” Once in New York, Casey plugged and advertised the song repeatedly; but that effort ended in January 1918, and thereafter it was mentioned only in motion picture trade journals.
Musical Note
A formally conventional march song in duple time (marked “March Tempo”), this employs the usual devices: chains of secondary dominants, a deceptive cadence to the mediant in the antepenultimate phrase, and syncopation at the start of most phrases in the chorus. A rat-a-tat-tat fill closes the verse. The lyric structure of the refrain closely resembles “After the Ball,” but the music is wholly different.
Repository
Sousa Archives and Center for American Music
Rights
No Copyright - United States
Rights Description
This item is in the public domain.
Back Cover Description
  • Incipits for five “Favorite Songs” in art deco border with vertical ornament:
  • My Hawaii (© 1917 01 29)
  • Come Along Ma Honey (© 1917 07 21)
  • In the Heart of Hawaii (© 1917 07 12)
  • Bow Down to Uncle Sam (© 1917 08 13)
  • Hawaiian Echoes (© 1917 03 05)
Local Identifier
2014_12996_009
Collection Title
James Edward Myers World War I Sheet Music Collection
Collection
James Edward Myers World War I Sheet Music Collection
TitleAfter the war is over
ComposerCasey, James W.  
LyricistCasey, James W.  
PublisherSeattle Echo Music Publishing Co.  
Year of Publication1917  
Date of Copyright1917-08-21
Physical Description1 score, voice and piano ([1], 2-3, [1] p.)
TypeMusical notation  
CommentDespite its reissue as part of Casey’s attempt to establish a Tin Pan Alley presence, this song does not appear to have attained much popularity in the East. However, scattered reports indicate some regional success in the West and some use in silent film accompaniments. At least six songs were issued in 1917 with similar or identical titles; Casey’s song probably suffered most by comparison with Harry Andrieu’s “After the War Is Over Will There Be Any Home Sweet Home?”, which had been issued four months earlier and was popular in the East in 1917 and nationally through most of 1918.
Historical Note
  • This is the second printing of the first edition, the two printings distinguished by back covers and small variants in the cover. A second edition, with no changes to the music, was published in New York some time after October 1, 1917, when Casey and his firm moved there.
  • No piano rolls or recordings have been found, but the song was briefly promoted. Shortly after the first printing appeared, a Seattle trade magazine reported that the song had “already become a great favorite with the soldier boys through the Northwest.” Once in New York, Casey plugged and advertised the song repeatedly; but that effort ended in January 1918, and thereafter it was mentioned only in motion picture trade journals.
Musical NoteA formally conventional march song in duple time (marked “March Tempo”), this employs the usual devices: chains of secondary dominants, a deceptive cadence to the mediant in the antepenultimate phrase, and syncopation at the start of most phrases in the chorus. A rat-a-tat-tat fill closes the verse. The lyric structure of the refrain closely resembles “After the Ball,” but the music is wholly different.
RepositorySousa Archives and Center for American Music
RightsNo Copyright - United States
Rights DescriptionThis item is in the public domain.
Back Cover Description
  • Incipits for five “Favorite Songs” in art deco border with vertical ornament:
  • My Hawaii (© 1917 01 29)
  • Come Along Ma Honey (© 1917 07 21)
  • In the Heart of Hawaii (© 1917 07 12)
  • Bow Down to Uncle Sam (© 1917 08 13)
  • Hawaiian Echoes (© 1917 03 05)
Local Identifier2014_12996_009
Collection TitleJames Edward Myers World War I Sheet Music Collection
CollectionJames Edward Myers World War I Sheet Music Collection

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